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Pepper x Method Man & Redman w/ PROF, Collie Buddz, DENM, THE UNDERACHIEVERS – PRESENTED BY LIVWELL at RED ROCKS AMPITHEATRE

All Ages
Wednesday, April 20
Doors: 4pm


LIVWELL PRESENTS




PEPPER X METHOD MAN & REDMAN



w/ Prof, Collie Buddz, DENM, The Underachievers, and special guest Keznamdi
 
Wednesday, April 20, 2022



Red Rocks Amphitheatre



On-Sale: FRIDAY, December 3 at 10am MT
Pepper is a three-piece reggae/rock band originally from Kaila-Kona Hawaii. The band consists of vocalist/guitarist Kaleo Wassman, vocalist/bassist Bret Bollinger, and drummer Yesod Williams. Since the band's formation they have released seven studio albums as well as two live albums. Pepper formed in 1996 with singer/guitarist Kaleo Wassman and bassist/singer Bret Bollinger, who had been friends since middle school. The duo was influenced by the Hawaiian artist Three Plus and popular mainland groups like Sublime.
Clifford Smith (born March 2, 1971), known professionally as Method Man, is an American rapper and actor. He is known as a member of the East Coast hip hop collective Wu-Tang Clan. He is also one half of the hip hop duo Method Man & Redman. He took his stage name from the 1979 film Method Man. In 1996, Smith won a Grammy Award for Best Rap Performance by a Duo or Group, for "I'll Be There for You/You're All I Need to Get By", featuring American R&B singer Mary J. Blige. Smith has appeared in films such as Belly, How High, Garden State, The Wackness, Venom, Red Tails, Keanu and The Cobbler. On television, he and frequent collaborator, fellow East Coast rapper Redman, co-starred on the short-lived Fox sitcom Method & Red. He has also had recurring roles in three HBO series, as Tug Daniels in Oz, Melvin "Cheese" Wagstaff in The Wire, and Rodney in The Deuce. In 2016, he had a cameo role in Luke Cage which aired on Netflix.
Reginald "Reggie" Noble (born April 17, 1970), better known by his stage name Redman, is an American rapper, DJ, record producer, and actor. He rose to fame in the early 1990s as an artist on the Def Jam label. He is also well known for his collaborations with his close friend Method Man, as one-half of the rap duo Method Man & Redman, including their starring roles in films and sitcoms. He was also a member of the Def Squad in the late 1990s. In 1987, Redman was expelled from Montclair State University his freshman year due to poor academic performance at age 16.
No artist has emerged from Minnesota this decade and walked his own private catwalk quite like Prof. After spending the early part of the 2010’s having amassed a strong loyal following, distributing nearly 200,000 records through his own imprint, Stophouse, his 2013 signing to Rhymesayers Entertainment helped propel him to the next stage of his career before releasing his landmark 2015 Rhymesayers debut, Liability. Additionally, his annual self-headlined Prof Outdoors festival has repeatedly sold out a 4,000+ capacity for years. While there’s been a perception that the eccentric Minneapolis MC is out-of-control, Prof's undeterred, unwavering commitment to his mission has revealed the detailed craftsmanship behind the perceived chaos. Today, as his latest album title states, the newly sophisticated Prof is more accurately referred to as Pookie Baby. While Prof may be best known for his show-stopping live performances, with this album he pulls back the curtain, inviting the listener to join him for the most private of moments, all with a sleek touch of sophistication. As much of a showman as he is a shaman, Pookie Baby was poured out of the perspective of a man known for wild live shows, whose rigorous touring and performance schedule led to debilitating injuries. Grounded for months and undergoing multiple surgeries, Prof returned with a new perspective, and a new pair of gators. This new Pookie Baby persona is all cleaned up, teeming with unbridled sexuality, and suited with a multitude of styles that run the gamut from triple-time Chicago drill to emotive, bluesy crooning. Pookie Baby helps clarify where this passion and the essence of Prof come from, and he’s never been better dressed for it. As Prof continues to become more refined in crafting songs, Pookie Baby showcases a spectrum of moods, ranging from infectious absurdity to earnestly introspective. “Focus” highlights Prof’s well-buttoned dedication to perfectionism behind the anarchy. “No” unflinchingly gives aggressive self-preservation the anthem it’s always deserved. “Be Around” touches on the most satisfying comforts of dependability in relationships. “Send Nudes” finds reward in the vulnerable intimacy present in exposing oneself via text message, when done consensually. Pookie Baby culminates in the one-two punch of “Minneapolis” and “Eulogy,” with the former asserting his love for his hometown, while the latter affirms his keen awareness of the ever-present fragility of life and the specter of mortality. From cynically skewering the authenticity of artistic statements, as on “I’ve Cooked Crack Before”, through the heartfelt reminiscence of “Designated Hitter” recounting the place marijuana holds in his happier memories, to ultimately knowing how he wants to be remembered once he’s left the world’s stage, Pookie Baby is just as much the crowd-pleasing party animal’s moment of prideful self-reflection, as it is the blueprint for making the most out of life while navigating the hardships. Please remember to enjoy Pookie Baby responsibly.